HYPER dwells in the inner states of the corporeal reality of our times.

In her new commissioned work HYPER Margrét Sara Guðjónsdóttir considers the embodied effects of the social political landscape we live in. The work dwells on and inside the deep tissues both of this reality and of the bodies trying to cope with it. HYPER conveys the essences of this grand human drama as a cry from the body to a viewer who is offered to experience extreme internal and sensorial states through the bodies of four dancers. As a performance, it silently creeps under the skin and slides around in spaces within, confronting the bodily surface as a gateway to what lies beneath and beyond our superficial facade. HYPER disarms with its crisp stillness, and gives access to the healing aspects of confronting the inner reality of the de-bordered body, providing an alternate reality of pleasure and pain that comes with diving into the HYPER-states.


Choreography: Margret Sara Guðjónsdóttir
Sound design: Margret Sara Guðjónsdóttir in collaboration with David Kiers
Lighting design: Martin Beeretz
Dancers: Adam Schütt, Anand Bolder, Eleanor Campbell, Vincent Van der Plas
Rehearsal director: Jane Hopper
Costume assistant: Tuva Danhard
Costume trainee: Cecilia Karlsson

Premiere: 8 February 2017 at Inkonst, Malmö, Sweden
Duration: 35 minutes

Photographer: Jasmin Storch